Well-deserved fun at the Cultural Olympiad! This time? A phenomenal Audio/Visual dance party.
Friday night's scene was CODE1, an A/V Gallery and Show Venue open specifically for the Games. Many of the exhibits were closed for the night and sadly the uber-chic lounge did not allow photography. I will go back to check it out, but I don't know what I can do about sharing pictures with you. I'll try my best.
Vancouver-based DJ K-Tel opened up the show. I quite enjoyed the set. I hope to be catching more of his sets around the city, now that I'm aware of the great show he puts on.
Now, I have yet to know much about this gentleman, so here is the description as provided on a Facebook event invite:
DJ K-Tel (aka Technomorph)
K-Tel has been developing mad skills in Vancouver’s film industry: Sound Designing animation projects for CN, MTV and FOX working with Danny Antonucci and Gary Larson, and picture Editing with local legends Richard Martin, Greg Middleton and Bob Aschman. All while still Djing on the side for the last 24 years. Then one day local filmmaker / VJ legend Tony Pantages approached K-Tel about joining the Morpheus Project visual team…and Vancouver hasn’t been the same since.
As the technology has grown, more pixels and sound samples are able to be processed and Technomorph has been able to venture further down that technological rabbit hole, morphing and weaving all of his skills as Sound Designer / Editor / VJ and DJ together.
All I can tell you is that he puts on a good show. It is a pity he was the opener, because many of the audience was either stuffed in the 19+ lounge (having a drink before going to the all ages stage area) or had yet to arrive. This song (post below) closed out K-Tel's set and is officially my song of the night.
The next crew, Addictive TV, had quite the following. Everyone was dancing and cheering and high-fiving...except for me. It was hard to love this set after seeing the work of DJ K-Tel. The set was by no means BAD, but apparently not what I was in the mood for. It is pretty neat how they put everything together, but I was getting restless to see the headliner. I watched the set to the end.
Then came the encore: a bastardization of Led Zeppelin's Black Dog and the Amen break. I was annoyed that such a classic beat was abused to ruin a great song. And then came the clincher: a second encore. That was a cue to leave. Credit where credit is due - Addictive TV was certainly talented and has great stage presence, but that set was not the highlight of the night at all.
AND THEN...the main event...the amazing Mike Relm. I adore Mike Relm and his work. He is one of my favourite people ever. And luckily, I had a chance to tell him that myself on Friday night. Ever so humble, he thanked me with a big smile. What a way to segue into the high point of a long week.
What can I say about Mike Relm? His work just makes me want to move. Playful and obviously enjoying himself on stage, he masterfully uses both popular and obscure songs of all genres mixed with movie clips or videos gone viral as massive memes.
The bass shaking my core, I couldn't help but gravitate to front and centre of the stage, far enough back to see the screens and close enough to watch his lightning quick hands on the turntables. I danced the entire time and had such a fantastic time busy moving my attention between the visuals and music.
Beyond being simply adorable, Mike talents cover his popular mashups with championship turntablism and beyond into the disciplines of Music and Video production.
The entire crowd was into it and I am really happy someone made this night happen. These pioneering acts at such an exceptional venue with a group of varied people made me really feel like the best parts of Vancouver's arts and culture spirit was amalgamated under one roof. Vancouver loves hosting Mike, and we hope to see him again soon.
The show was closed out by Mike's classic crowd-included sing-along of "Imagine", a bit he started doing in Vancouver originally. Perfect way to end a night you wish could last forever.I have to close out this post with a Canadian artist with rhythm enough to match the beats posted above. So, here's a 2 for 1 deal: first the remixed version and then the original album version of Jully Black's "Until I Stay".